When an old family friend got in touch a year ago 
to see if her department at Edinburgh Napier University could help 
develop a visual identity for the Mossuril Film Festival, a project of 
which I am a founding member, we were naturally delighted. Beyond the 
good reputation of the University, I personally was delighted that a 
graphics department in Edinburgh was looking to develop a relationship 
with a civil society organisation in Africa.
At first the collaboration produced posters, flyers and a visual 
identity for a film festival and a soap cooperative. The idea was to 
show that graphics can be applied to portray positive stories, not just 
the usual derogatory images of African nations that appear in the 
foreign sections of many newspapers. The images created by the students 
matched the will and enthusiasm of a team of people I, and my colleagues 
had begun to work with on the ground in Mozambique, and the project soon 
began to attract the attention of foreign and domestic funders.
The graphics were working, operating side-by-side on the Internet with 
the continuous flow from the prophets of doom. Then the students, 
together with two tutors, applied and got funding to come to 
Mozambique. All that remained was to demystify the whole logistics 
process. After all, the class was planning to travel to Africa and the 
old clichés returned to haunt everyone.
Africa? Would it be safe? Could students spend time in a rural area, 
working with local people to build brands, without clear and present 
dangers? A quick search on Google of Mozambique threw up phrases like 
'former civil war', 'road issues' and 'occasional kidnappings'. As if a 
tourist in Japan might decide to avoid the UK based on Google searches 
throwing up 'Oliver Cromwell' and 'clogged M25'.
Bad things do of course occur to unlucky people in Mozambique, just like 
they do in London, New York, Hong Kong or Glasgow. But bad things that 
happen in Mozambique tend to be exaggerated because it is easy for 
journalists to do so. It is easy to defame a country that once had a 
conflict. If a car is hijacked in South Africa, it hardly makes the 
news, so regular are armed assaults on the road. Whereas in Mozambique 
children throwing stones at a tree can be reported as 'imminent civil war'.
This is where Edinburgh Napier's contribution is key. Mozambique has 2,500 
kilometres of virgin coast, 2,450 of which are accessible without 
danger. The people are friendly, open and welcoming. While disturbances 
have occurred on a 50 kilometres stretch of the 2,000+ North-South road, 
the way they are reported suggests the whole of Mozambique is in 
turmoil. Which again, is completely wrong. This is not a negligent or 
defensive attitude. It is simply the truth. I have travelled around the 
north of the country on-and-off in the last six months and I have not 
seen a single sign of war or armed conflict, apart from online in the 
foreign press.
But I don't want to get bogged down with correcting the image of 
Mozambique abroad. I think five students from Napier have done that far 
better than  I ever could. The images and activities shown in the blog 
portray a calm, inviting, friendly and colourful landscape - Macua 
society. Many local Mozambican Macua students are well aware of these 
attributes and are equally frustrated by foreign claims of domestic 
disturbances generated by desperate freelance journalists.
The marketing skills local schoolchildren are learning working together 
with Napier students - painting, graphics and creating dynamic visual 
identities for a project and a place - will not only serve them 
individually, it will help them all further illustrate the gems and joys 
of Mozambique and their local environment. Through its work with the 
festival, Edinburgh Napier is helping build a cultural institution that will 
hopefully serve a district of 130,000 people for generations to come. 
Bob Dylan said 'How I'd like to be in Mozambique' but no one knows if he 
ever went. Five students and two tutors from Edinburgh Napier University 
followed his call and have shown that the times, they are a changing.
 
 
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